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Brief but scarringly debauched eminiscences of a man and his self destructive No Limits (Brutal Master relationships with three women ugly Lazare submissive Xenia and perverted Dirty set against theise of Nazism and the Catalan Liar, Liar riots in 1935 Abusive drunken dilettante Communism self harm and perverse with even a touch of necrophilia thrown in this is not for the faint hearted but it is powerful nihilistic fare and despite the gruesomeness of it all I wanted to go straight back toead parts of it again so it definitely has something I love this I love it just as much as his Story of the Eye and My MotherMadame EdwardaThe Dead Man story setAlbeit grim and nihilistic than anything else of his that I ve ead thus far I can see a maturation in this work of his compared to his othersHis eroticism days were not forgotten but simply put on lay by for being placed in a precise part of the story and although the necrophilic talk was a bit much for me he does wrap it in such a poetic way that it doesn t overwhelm the storyThe elationships in Bataille s work are always of a deep nature as opposed to many other writers scratch the surface works of erotica and the detailing throughout is exceptionally vivid as alwaysFor me personally I ve consumed enough of his work that I think it about time I got tucked into the biographical work that others have provided on himI d suggest for future Bataille fans to leave this to last and get through My MotherMadame EdwardaThe Dead Man first followed by Story of the Eye followed by this but that could be my bias speaking To a greater or lesser extent everyone depends on stories on novels to discover the manifold truth of life Only such stories Femmes, si vous saviez... : 83 questions-rponses, hormones, mnopause, ostoporose read sometimes in a trance have the power to confront a person with his fate Of this I am sure only an intolerable impossible ordeal can give an author the means of achieving that wideanging vision that eaders weary of the narrow limitations imposed by convention are waiting forGeorges Bataille Author s Foreword 1957In Blue of Noon as in all his fictions though to my knowledge Blue of Noon is his most explicitly personal Georges Bataille put his money where hi. Set against the backdrop of Europe’s slide into Fascism this twentieth century erotic classic takes the eader on a dark journey through the ps.
S mouth was Agree with his manifesto or not and I ll admit the older I get the estrictive it seems the less adventurous the less admirable you can t miss his singleminded dedication to it which gives his best work a thrust normally felt in thrillers though powered almost entirely by this strange writer s obsessions True it s not just the suffering but his warped take on sex that ll compell you but in Blue of Noon like Hitchcock he seems to have perfected unseen fuelled suspense and there s no need to explicate what is manifest in his characters actionsIn London in a cellar in a neighbourhood dive the most sualid of unlikely places Dirty was drunk Utterly so I was next to her my hand was still bandaged from being cut by a broken glass Dirty that day was wearing a sumptuous evening gown I was unshaven and unkempt As she stretched her long legs she went into a violent convulsion The place was crowded with men and their eyes were getting ominous the eyes of these perplexed men ecalled spent cigars Drunkenness had committed us to dereliction in pursuit of some grim esponse to the grimmest of compulsionsWhat I love about Bataille is his clearsightedness And his esolve to tell the truth about the processes at work on his dissolute narrator a truth which we presume and Bataille does as much as acknowledge he could only know by having endured it even at the nadir of that barely sketched character s infamy Blue of Noon evolves around the axis of humiliation In scene after scene we witness the urge to humiliate in the hurt and unhappy in the narrator Troppmann whose failed marriage has led him via a series of prostitutes to an impotent codependence with the cruel but beautiful or in his eyes beautiful because cruel Dirty and then into bored victimising of the lost Xenie That despite himself he s drawn also into the orbit of the would be evolutionary Lazare though because he euires a bird of ill omen to keep him company than from any social conscience which would be trite seems merely another instance of his bullying since one thing he knows in his bones is that Europe s doomed and every time he purges himself in. Yche of the pre war French intelligentsia torn between identification with the victims of history and the glamour of its victors One of Bataille?.
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Confession to this good Christian virgin he can t help but shock her with doom laden pronouncements out of shame at his own helplessness It s ugly but powerful He s far far from a hero but eually no villain no death s head no gargoyle What Bataille does here and I don t think it s been done often is eveal just how vulnerable a cruel man can be Sensitive too And aware of his own cruelty All of which just compounds his sufferingFor eaders of the 2001 Penguin edition and probably the 2012 edition Will Self pens an impressive introduction comparing the novel to an out of control car It is as if some cloaca God were to descend to someone who was labouring on the torture throne of constipation and deliver them a laxative balm I don t know what that means but I like it and in general Self has some interesting things to say here comparing Bataille s own view of lust as an annihilator of human difference to the way the Nazis lust for power threatened humanity with annihilation Blue of Noon is set in various European cities in the lead up to the Second World WarFor those unfamiliar with Bataille The Story of the Eye is in English his most famous work though My Mother Madame Edwarda The Dead Man a novel and two short works published by Marion Boyars in 1989 and 1995 and again by Penguin in 2012 is eually ich startling and powerful His Eroticism also comes highly ecommended but I started to grow away from his vision before I ead it and have only evisited him ecently from an urge to consolidate that period and set something of it in writing Call him an influence but not a favourite Brilliant because uniue because so few have attempted what he attempts But doomed to circle the same terrain ad nauseum much as it may be his own In a time and place of fear there is often a self portrait that emerges that can no longer be hidden and this is the true us who we did not want others to see Excellent examination of that which we hide but that emerges in times of conflict 45 stars Bleak depraved and nihilistic but in an utterly gorgeous azor sharp way Far potent and incisive than his Story of the Eye Absolutely loved it. ??s overtly political works it explores the ambiguity of sex as a subversive force bringing violence power and death together in a terrifying uni.
French essayist philosophical theorist and novelist often called the metaphysician of evil Bataille was interested in sex death degradation and the power and potential of the obscene He rejected traditional literature and considered that the ultimate aim of all intellectual artistic or religious activity should be the annihilation of the rational individual in a violent transcendental